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So, this morning I was at the office earlier than usual and this rather imposing keyboard feels like it’s watching me in the way a hungry cat watches you when you arrive home.
It’s expecting something, or rather the possibilities it offers expect something of me. I’m a musician for Pete’s sake and I’ve got one of the best tools for music making, sat on a stand, plugged in and ready to play. I go and have a seat with nothing in particular in mind to play at first. But, boy, the major thing which keeps me coming back to Montage – and it’s little bro the MODX – is that it kinda meets your creativity half way.
As you can see in this video, i’m not really playing anything complicated. In fact, i’m only playing rather basic patterns. But this beaut of a keyboard gently pours a soft mist of a pad over your hands as they play, or the deep reverb on the tinkle of a note will seize your body with mood – maybe a dark one, maybe a light one, but you’re stopped in your tracks and you’re moving along some kind of creative path. And all this is so nourishing to your expression as a musician and a human being. That’s why we musicians really play, isn’t it? It’s not about notes and software, it’s about expressing emotions. What’s that quote from some great composer? ‘The piano says things I can’t with words’. That quote may not be 100% accurate but you get the gist.

Anyway, back to Montage and I guess I should talk about those rather more practical things like hardware and software. It’s beefy this piano. It’s large and personally, I wouldn’t want to lug it around on my own. I could manage it but I’d rather have a rodie carry it. However, if you are planning on keeping the thing in one place then it doesn’t feel….. temporary. It very much feels like a fixture. The chassis is solid and angular much in the Yamaha style-e. Which is really retro cool. The writing of the Yamaha logo and MONTAGE on the panels is sexy, and the knobs/buttons, etc are all build they they intend to last multiple gigs in the hands of roadies (no offense, roadies). This particular model, Montage M8x, is Yamahas’ pro-level stage piano. It’s the one you’ll see on stage at Glasto and the like. And, naturally, there’s a cost to this cos it really is built tough. But it’s a buy once and use the damned thing for 20 years type instrument. Aren’t you glad someone’s buiding something like this these days in our throwaway culture? I am.
So, a little about what I’m doing in the video. In short, I’m going through the piano presets. I’m not tweaking anything – they’re all as you hear, straight from the KB library, and only the piano section. I put together a number of the ‘weird’ piano sounds which intruiged me (can never spell intruige…. ), and saved them on a single LIVE SET, as it’s called, for easy recall. It’s now going to make part of my regular showroom demonstration routine, but also my pre-opening hours tinkle-ette which is where I make so many enjoyable discoveries about the Montage and what it’s got hidden under the hood. Note, I’m occasionally pressing those blue SCENE buttons which give a slight variation on each preset sound. Those along with the SUPER KNOB (great name, Yamaha team) give you 2 very easy ways to throw a bit of variation into your playing without changing what you’re actually playing. Again, this is an example of the keyboard meeting your creativity half way. You play as you normally do, the sounds and effects will inspire you further, twiddle a knob or press a button, and you get diverted down a new pathway of creativity – sometimes to places you couldn’t possibly have anticipated going in!

For me, that’s the beauty of this model and the MODX M models. Hope that word salad has been insightful if you’re considering buying a Montage. I’m trying to offer some real human reflection on these models for my fellow (skint) musicians around the world as you budget away your precious income.
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