Yamaha Montage 6

Yamaha Montage 6 in Black
Yamaha Montage 6 in Black
Yamaha Montage 6 in White
Yamaha SX700
Korg XE20
Korg G1b Air
Yamaha Montage 6 in Black

£2,399.00

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Yamaha Montage 6

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Motion Control Synthesis Engine

Motion Control Synthesis Engine unifies and controls two iconic Sound Engines: AWM2 (high-quality waveform and subtractive synthesis) and FM-X (modern, pure Frequency Modulation synthesis.) These two engines can be freely zoned or layered across eight parts in a single MONTAGE Performance.

Interact with MONTAGE Performances using Motion Control: a highly programmable control matrix for creating deep, dynamic and incredibly expressive sound. With Motion Control, you can create new sounds not possible on previous hardware synthesizers.

Please go to Motion Control page

1.Sophisticated Dynamic Control

Music is expression. MONTAGE adds a new level of expression with the Motion Control Synthesis Engine. This engine allows a variety of methods to interact with and channel your creativity into finding your own unique sound.

– Super Knob

Create dynamic sound changes from radical to sublime with the Super Knob. The Super Knob can control multiple parameters simultaneously resulting in anything you can imagine.

For example: change your listening position from right in front of an instrument to in the back seat of a concert hall. Or radically change the character of a Performance from atmospheric and mellow to rhythmic and edgy.

The Super Knob can even be assigned to a second FC7 foot controller making it easy to manipulate the sound when playing with both hands.

– Motion SEQ

Motion Sequences are tempo-synchronized, completely customizable control sequences that can be assigned to virtually any synthesizer parameter and provide incredible creative new ways of programming sound.

Motion Sequences also have dedicated controls on the front panel making it easy to manipulate and change in real-time, providing incredible interactivity and expression.

– Envelope Follower

The Envelope Follower converts audio into a control source for control of virtually any synthesizer parameter. For example, a drum loop could drive effects parameters for a cool rhythms or a vocal recording could control multiple parameters for a “talking” synthesizer. The audio can even be a “live” source through the A/D input.

2.Massive Sound Creation

MONTAGE features two Iconic Sound Engines modernized for amazing sound playback and complex sound design.

– AWM2

Powered by proprietary Yamaha technology for data compression and sound playback, AWM2 allows tremendous data compression without sound quality loss for unparalleled, realistic sound reproduction.

・128-Note, Stereo polyphony

Experience rich stereo sound without halving the available number of notes.

・Waveform Capacity

MONTAGE features nearly 10 times the waveform capacity of the MOTIF XF, allowing more samples per instrument for incredibly realistic and nuanced sound.

・Integrated Flash Memory

MONTAGE includes 1.75 GB of user flash memory with high speed reading/writing for your own custom samples or synth libraries from yamahasynth.com.

– FM-X

An amazingly sophisticated pure synthesizer engine capable of producing classic ‘80s or cutting-edge, EDM sound with incredible dynamic range, power and fidelity. MONTAGE features an 8-operator FM architecture and 128-note polyphony, allowing for a massive array of sound design options.

– Content

Every instrument needs great content to inspire your creativity. MONTAGE features a huge range of incredible sounds like a brand-new Yamaha CFX Premium Grand Piano, detailed new strings and woodwinds and select content from the DX and TX family, all modernized to take advantage of the Motion Control Synthesis Engine.

[Compatibility] MONTAGE is directly compatible with Motif XF Voices. Yamaha is developing an FM converter to make it compatible with DX7 series Voices as well.

[Bösendorfer Piano] As part of the MONTAGE introduction, Yamaha is pleased to offer an incredible Bösendorfer Imperial Premium Grand Piano.

Please go to Compatibility page

Please go to Sound Library page

– Effects

From high definition reverbs to incredibly detailed Virtual Circuit Modeling (VCM) effects, MONTAGE is loaded with DSP innovation, power and, most importantly, sound quality. Use effects like Beat Repeat, Vinyl Break or Bit Crusher to get a modern EDM sound. You can even add a compressor with sidechain for a modern “ducking” effect. Or go retro with vintage effects like Analog Delay, VCM Phaser or a variety of Amp Simulators. Piano players will appreciate piano-focused effects like Damper Resonance for a super-realistic piano experience and the HD reverbs that let you put yourself in any performance space.

– Pure Analog Circuit

MONTAGE features professional balanced outputs with “Pure Analog Circuit” (PAC). PAC improves the quality of signal after being converted to analog from digital for clear harmonic reproduction and even frequency response. The result is an output capable of reproducing MONTAGE’s internal content expressively with power and clarity.

3.Streamlined Workflow

How do you want to integrate your instrument with your system? How do you want to organize the onboard content? How do you want to interact with the instrument while you play? MONTAGE answers these questions and more with a flexible, streamlined workflow.

– USB Audio/MIDI Connection

Connect MONTAGE to your computer with a single USB cable and capture every nuance of your creativity into your DAW. MONTAGE’s powerful USB driver can send 16 and receive 3 channels of STEREO 24 bit/44.1 kHz digital audio to/from your computer or iOS device (MONTAGE is class compliant, no driver needed!), no other hardware required!

The USB connection also features full MIDI support of 16 channels.

* MONTAGE supports the sampling rate up to 192 kHz.

– SSS (Seamless Sound Switching)

Seamless Sound Switching (SSS) lets you change performances seamlessly without any cut-off in envelope or effects. This is perfect for live performances where you end one song and start another without stopping.

* This function is only available for Performances that have a maximum of 8 parts.

– A/D Input

The A/D input processes external audio sources with your instrument’s DSP. Use mics, guitars or any line source as an input and process with the internal effects.

You can even use these sources with the Envelope Follower or Sidechain for a truly unique sound.

– Physical Control

MONTAGE features a comprehensive set of physical controls for intuitive music making and sound creation.

[Touch Screen] Select and change parameters directly with the new color touch screen.

[Eight Rotary Encoders and Faders with Stepladder LED] Stepladder LEDs next to the faders indicate position making it easy to see where your current mix position is.

[Keyboard Action] MONTAGE is available in three different configurations:
– MONTAGE6 and 7 feature the premium FSX semi-weighted synthesizer action with aftertouch in 61 and 76 keys respectively.
– MONTAGE8 features an 88 key, fully-weighted Balanced Hammer action with aftertouch. This provides equal resistance for each key across the keyboard and is perfect for playing a variety of instruments from acoustic piano to electric piano, synth sounds, organ and more!

 

– LIVE SET

Live Set lets you organize your Performances however you want without copying, changing order or renaming. When a Performance is selected, you can easily register it to a Live Set. This is perfect for playing gigs or even creating your own organization scheme for Performances.

– Direct Control Assignment

Direct Control Assignment assigns controls at the touch of a button. Simply select a parameter, hit the Direct Control Assignment button and move the controller to control that parameter. It’s easy!

Specification

MONTAGE8

MONTAGE8 WH

MONTAGE7

MONTAGE7 WH

MONTAGE6

MONTAGE6 WH

Dimensions Width 1,450mm (57-1/16″) 1,450mm (57-1/16″) 1,244 mm (49″) 1,244 mm (49″) 1,037 mm (40-13/16″) 1,037 mm (40-13/16″)
Height 170mm (6-11/16″) 170mm (6-11/16″) 131 mm (5-3/16″) 131 mm (5-3/16″) 131 mm (5-3/16″) 131 mm (5-3/16″)
Depth 460mm (18-1/8″) 460mm (18-1/8″) 396 mm (15-9/16″) 396 mm (15-9/16″) 396 mm (15-9/16″) 396 mm (15-9/16″)
Weight Weight 29 kg (63 lbs., 15 oz.) 29 kg (63 lbs., 15 oz.) 17 kg (37 lbs., 8 oz.) 17 kg (37 lbs., 8 oz.) 15 kg (33 lbs., 1 oz.) 15 kg (33 lbs., 1 oz.)
Keyboard Number of Keys 88 88 76 76 61 61
Type Balanced Hammer Effect Keyboard Balanced Hammer Effect Keyboard FSX Keyboard FSX Keyboard FSX Keyboard FSX Keyboard
Initial Touch Yes Yes Yes Yes Yes Yes
Aftertouch Yes Yes Yes Yes Yes Yes
Tone Generator Motion Control Synthesis Engine AMW2: 8 Elements FM-X: 8 Operators, 88 Algorithms Motion Control Synthesis Engine AMW2: 8 Elements FM-X: 8 Operators, 88 Algorithms Motion Control Synthesis Engine AMW2: 8 Elements FM-X: 8 Operators, 88 Algorithms Motion Control Synthesis Engine AMW2: 8 Elements FM-X: 8 Operators, 88 Algorithms Motion Control Synthesis Engine AMW2: 8 Elements FM-X: 8 Operators, 88 Algorithms Motion Control Synthesis Engine AMW2: 8 Elements FM-X: 8 Operators, 88 Algorithms
Maximum Polyphony AWM2: 128 (max.; stereo/mono waveforms) FM-X: 128 (max.) AWM2: 128 (max.; stereo/mono waveforms) FM-X: 128 (max.) AWM2: 128 (max.; stereo/mono waveforms) FM-X: 128 (max.) AWM2: 128 (max.; stereo/mono waveforms) FM-X: 128 (max.) AWM2: 128 (max.; stereo/mono waveforms) FM-X: 128 (max.) AWM2: 128 (max.; stereo/mono waveforms) FM-X: 128 (max.)
Multi Timbral Capacity 16 Parts (internal), Audio Input Parts (A/D*, USB*) *stereo Part 16 Parts (internal), Audio Input Parts (A/D*, USB*) *stereo Part 16 Parts (internal), Audio Input Parts (A/D*, USB*) *stereo Part 16 Parts (internal), Audio Input Parts (A/D*, USB*) *stereo Part 16 Parts (internal), Audio Input Parts (A/D*, USB*) *stereo Part 16 Parts (internal), Audio Input Parts (A/D*, USB*) *stereo Part
Wave Preset: 5.67 GB (when converted to 16 bit linear format), User: 1.75 GB Preset: 5.67 GB (when converted to 16 bit linear format), User: 1.75 GB Preset: 5.67 GB (when converted to 16 bit linear format), User: 1.75 GB Preset: 5.67 GB (when converted to 16 bit linear format), User: 1.75 GB Preset: 5.67 GB (when converted to 16 bit linear format), User: 1.75 GB Preset: 5.67 GB (when converted to 16 bit linear format), User: 1.75 GB
Performance 2,707 2,707 2,707 2,707 2,707 2,707
Filter 18 types 18 types 18 types 18 types 18 types 18 types
Effects Reverb x 12 types, Variation x 88 types, Insertion (A, B) x 88 types*, Master Effect x 26 types *A/D part insertion x 83 types (Preset settings for parameters of each effect type are provided as templates) Master EQ (5 bands), 1st part EQ (3 bands), 2nd part EQ (2 bands) Reverb x 12 types, Variation x 88 types, Insertion (A, B) x 88 types*, Master Effect x 26 types *A/D part insertion x 83 types (Preset settings for parameters of each effect type are provided as templates) Master EQ (5 bands), 1st part EQ (3 bands), 2nd part EQ (2 bands) Reverb x 12 types, Variation x 88 types, Insertion (A, B) x 88 types*, Master Effect x 26 types *A/D part insertion x 83 types (Preset settings for parameters of each effect type are provided as templates) Master EQ (5 bands), 1st part EQ (3 bands), 2nd part EQ (2 bands) Reverb x 12 types, Variation x 88 types, Insertion (A, B) x 88 types*, Master Effect x 26 types *A/D part insertion x 83 types (Preset settings for parameters of each effect type are provided as templates) Master EQ (5 bands), 1st part EQ (3 bands), 2nd part EQ (2 bands) Reverb x 12 types, Variation x 88 types, Insertion (A, B) x 88 types*, Master Effect x 26 types *A/D part insertion x 83 types (Preset settings for parameters of each effect type are provided as templates) Master EQ (5 bands), 1st part EQ (3 bands), 2nd part EQ (2 bands) Reverb x 12 types, Variation x 88 types, Insertion (A, B) x 88 types*, Master Effect x 26 types *A/D part insertion x 83 types (Preset settings for parameters of each effect type are provided as templates) Master EQ (5 bands), 1st part EQ (3 bands), 2nd part EQ (2 bands)
Controllers Master Volume, AD Input Gain knob, Pitch Bend wheel, Modulation wheel, Ribbon Controller, Control Sliders x 8, Knobs x 8, Super Knob, Data dial Master Volume, AD Input Gain knob, Pitch Bend wheel, Modulation wheel, Ribbon Controller, Control Sliders x 8, Knobs x 8, Super Knob, Data dial Master Volume, AD Input Gain knob, Pitch Bend wheel, Modulation wheel, Ribbon Controller, Control Sliders x 8, Knobs x 8, Super Knob, Data dial Master Volume, AD Input Gain knob, Pitch Bend wheel, Modulation wheel, Ribbon Controller, Control Sliders x 8, Knobs x 8, Super Knob, Data dial Master Volume, AD Input Gain knob, Pitch Bend wheel, Modulation wheel, Ribbon Controller, Control Sliders x 8, Knobs x 8, Super Knob, Data dial Master Volume, AD Input Gain knob, Pitch Bend wheel, Modulation wheel, Ribbon Controller, Control Sliders x 8, Knobs x 8, Super Knob, Data dial
Display 7″ TFT Color Wide VGA LCD touch screen 7″ TFT Color Wide VGA LCD touch screen 7″ TFT Color Wide VGA LCD touch screen 7″ TFT Color Wide VGA LCD touch screen 7″ TFT Color Wide VGA LCD touch screen 7″ TFT Color Wide VGA LCD touch screen
Connectors [USB TO DEVICE], [USB TO HOST], MIDI [IN]/[OUT]/[THRU], FOOT CONTROLLER [1]/[2], FOOT SWITCH [ASSIGNABLE]/[SUSTAIN], OUTPUT (BALANCED) [L/MONO]/[R] (6.3 mm, Balanced TRS jacks), ASSIGNABLE OUTPUT (BALANCED) [L]/[R] (6.3 mm, Balanced TRS jacks), [PHONES] (6.3 mm, standard stereo phone jack), A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks) [USB TO DEVICE], [USB TO HOST], MIDI [IN]/[OUT]/[THRU], FOOT CONTROLLER [1]/[2], FOOT SWITCH [ASSIGNABLE]/[SUSTAIN], OUTPUT (BALANCED) [L/MONO]/[R] (6.3 mm, Balanced TRS jacks), ASSIGNABLE OUTPUT (BALANCED) [L]/[R] (6.3 mm, Balanced TRS jacks), [PHONES] (6.3 mm, standard stereo phone jack), A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks) [USB TO DEVICE], [USB TO HOST], MIDI [IN]/[OUT]/[THRU], FOOT CONTROLLER [1]/[2], FOOT SWITCH [ASSIGNABLE]/[SUSTAIN], OUTPUT (BALANCED) [L/MONO]/[R] (6.3 mm, Balanced TRS jacks), ASSIGNABLE OUTPUT (BALANCED) [L]/[R] (6.3 mm, Balanced TRS jacks), [PHONES] (6.3 mm, standard stereo phone jack), A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks) [USB TO DEVICE], [USB TO HOST], MIDI [IN]/[OUT]/[THRU], FOOT CONTROLLER [1]/[2], FOOT SWITCH [ASSIGNABLE]/[SUSTAIN], OUTPUT (BALANCED) [L/MONO]/[R] (6.3 mm, Balanced TRS jacks), ASSIGNABLE OUTPUT (BALANCED) [L]/[R] (6.3 mm, Balanced TRS jacks), [PHONES] (6.3 mm, standard stereo phone jack), A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks) [USB TO DEVICE], [USB TO HOST], MIDI [IN]/[OUT]/[THRU], FOOT CONTROLLER [1]/[2], FOOT SWITCH [ASSIGNABLE]/[SUSTAIN], OUTPUT (BALANCED) [L/MONO]/[R] (6.3 mm, Balanced TRS jacks), ASSIGNABLE OUTPUT (BALANCED) [L]/[R] (6.3 mm, Balanced TRS jacks), [PHONES] (6.3 mm, standard stereo phone jack), A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks) [USB TO DEVICE], [USB TO HOST], MIDI [IN]/[OUT]/[THRU], FOOT CONTROLLER [1]/[2], FOOT SWITCH [ASSIGNABLE]/[SUSTAIN], OUTPUT (BALANCED) [L/MONO]/[R] (6.3 mm, Balanced TRS jacks), ASSIGNABLE OUTPUT (BALANCED) [L]/[R] (6.3 mm, Balanced TRS jacks), [PHONES] (6.3 mm, standard stereo phone jack), A/D INPUT [L/MONO]/[R] (6.3 mm, standard phone jacks)
Power Consumption 27 W 27 W 27 W 27 W 27 W 27 W
Accessories AC Power cord, Owner’s Manual, Cubase AI Download Information AC Power cord, Owner’s Manual, Cubase AI Download Information AC Power cord, Owner’s Manual, Cubase AI Download Information AC Power cord, Owner’s Manual, Cubase AI Download Information AC Power cord, Owner’s Manual, Cubase AI Download Information AC Power cord, Owner’s Manual, Cubase AI Download Information
Live Sets Preset: 128 and more, User: 2,048 Preset: 128 and more, User: 2,048 Preset: 128 and more, User: 2,048 Preset: 128 and more, User: 2,048 Preset: 128 and more, User: 2,048 Preset: 128 and more, User: 2,048
Tracks 16 Sequence tracks, Tempo track, Scene track 16 Sequence tracks, Tempo track, Scene track 16 Sequence tracks, Tempo track, Scene track 16 Sequence tracks, Tempo track, Scene track 16 Sequence tracks, Tempo track, Scene track 16 Sequence tracks, Tempo track, Scene track
Recording type Real time replace, Real time overdub, Real time punch in/out Real time replace, Real time overdub, Real time punch in/out Real time replace, Real time overdub, Real time punch in/out Real time replace, Real time overdub, Real time punch in/out Real time replace, Real time overdub, Real time punch in/out Real time replace, Real time overdub, Real time punch in/out
Note Capacity 1 Song/Pattern: Approx. 130,000 notes, Store area: Approx. 520,000 notes (Pattern); approx. 520,000 notes (Song) 1 Song/Pattern: Approx. 130,000 notes, Store area: Approx. 520,000 notes (Pattern); approx. 520,000 notes (Song) 1 Song/Pattern: Approx. 130,000 notes, Store area: Approx. 520,000 notes (Pattern); approx. 520,000 notes (Song) 1 Song/Pattern: Approx. 130,000 notes, Store area: Approx. 520,000 notes (Pattern); approx. 520,000 notes (Song) 1 Song/Pattern: Approx. 130,000 notes, Store area: Approx. 520,000 notes (Pattern); approx. 520,000 notes (Song) 1 Song/Pattern: Approx. 130,000 notes, Store area: Approx. 520,000 notes (Pattern); approx. 520,000 notes (Song)
Note Resolution 480 ppq (parts per quarter note) 480 ppq (parts per quarter note) 480 ppq (parts per quarter note) 480 ppq (parts per quarter note) 480 ppq (parts per quarter note) 480 ppq (parts per quarter note)
Tempo (BPM) 5 – 300 5 – 300 5 – 300 5 – 300 5 – 300 5 – 300
Arpeggio Parts: 8 Parts simultaneous (max.), Preset: 10,239 types User: 256 types Parts: 8 Parts simultaneous (max.), Preset: 10,239 types User: 256 types Parts: 8 Parts simultaneous (max.), Preset: 10,239 types User: 256 types Parts: 8 Parts simultaneous (max.), Preset: 10,239 types User: 256 types Parts: 8 Parts simultaneous (max.), Preset: 10,239 types User: 256 types Parts: 8 Parts simultaneous (max.), Preset: 10,239 types User: 256 types
Sequence formats MONTAGE original format, SMF formats 0, 1 MONTAGE original format, SMF formats 0, 1 MONTAGE original format, SMF formats 0, 1 MONTAGE original format, SMF formats 0, 1 MONTAGE original format, SMF formats 0, 1 MONTAGE original format, SMF formats 0, 1
Patterns 128 patterns 128 patterns 128 patterns 128 patterns 128 patterns 128 patterns
Pattern tracks 16 Sequence tracks 16 Sequence tracks 16 Sequence tracks 16 Sequence tracks 16 Sequence tracks 16 Sequence tracks
Pattern Recording type Real time replace, Real time overdub Real time replace, Real time overdub Real time replace, Real time overdub Real time replace, Real time overdub Real time replace, Real time overdub Real time replace, Real time overdub
Songs 128 songs 128 songs 128 songs 128 songs 128 songs 128 songs
Song tracks 16 Sequence tracks, Tempo track, Scene track 16 Sequence tracks, Tempo track, Scene track 16 Sequence tracks, Tempo track, Scene track 16 Sequence tracks, Tempo track, Scene track 16 Sequence tracks, Tempo track, Scene track 16 Sequence tracks, Tempo track, Scene track
Song recording type Real time replace, Real time overdub, Real time punch in/out Real time replace, Real time overdub, Real time punch in/out Real time replace, Real time overdub, Real time punch in/out Real time replace, Real time overdub, Real time punch in/out Real time replace, Real time overdub, Real time punch in/out Real time replace, Real time overdub, Real time punch in/out
USB audio interface [Sampling Frequency = 44.1kHz] Input: 6 channels (3 stereo channels),Output: 32 channels (16 stereo channels) [Sampling Frequency = 44.1kHz – 192kHz] Input: 6 channels (3 stereo channels),Output: 8 channels (4 stereo channels) [Sampling Frequency = 44.1kHz] Input: 6 channels (3 stereo channels),Output: 32 channels (16 stereo channels) [Sampling Frequency = 44.1kHz – 192kHz] Input: 6 channels (3 stereo channels),Output: 8 channels (4 stereo channels) [Sampling Frequency = 44.1kHz] Input: 6 channels (3 stereo channels),Output: 32 channels (16 stereo channels) [Sampling Frequency = 44.1kHz – 192kHz] Input: 6 channels (3 stereo channels),Output: 8 channels (4 stereo channels) [Sampling Frequency = 44.1kHz] Input: 6 channels (3 stereo channels),Output: 32 channels (16 stereo channels) [Sampling Frequency = 44.1kHz – 192kHz] Input: 6 channels (3 stereo channels),Output: 8 channels (4 stereo channels) [Sampling Frequency = 44.1kHz] Input: 6 channels (3 stereo channels),Output: 32 channels (16 stereo channels) [Sampling Frequency = 44.1kHz – 192kHz] Input: 6 channels (3 stereo channels),Output: 8 channels (4 stereo channels) [Sampling Frequency = 44.1kHz] Input: 6 channels (3 stereo channels),Output: 32 channels (16 stereo channels) [Sampling Frequency = 44.1kHz – 192kHz] Input: 6 channels (3 stereo channels),Output: 8 channels (4 stereo channels)

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