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The Yamaha CK88 does something special.
It breathes life into your piano playing.
If you’re artistically inclined, you’ll find that the CK88’s offerings encourage a fuller exploration of your musicality.
The Yamaha CK88 sparks creativity from within you by placing at your fingertips a rich palette of voices and then inviting you to craft your own signature sounds using its intuitive controls and deep selection of effects.
Once you realise the breadth and depth of what the Yamaha CK88 offers, you’ll feel like an artist standing before a blank canvas with an invitation to start noodling away.
And from those noodles will come sketches, and from those sketches, you’ll add colour. Before you know it, you’ll feel like you’re creating your own masterpiece.
Every time you power up, you’ll be compelled to do this again, and again, and again.
It’s a veritable playground for the creative keyboardist, and it’s absolutely wonderful.
15m
Chris reflects on the Yamaha CK88's ability to awaken your creativity and bring your piano playing to life.
Initially, the Yamaha CK88 presents you with a fine selection of pianos, and whatever your playing style, you’ll undoubtedly find a piano voice to suit you.
However, my fellow pianists, it won’t take you long to realise how dynamic even the most simple piano playing can become when you begin to explore the effects channels, or, as you might more meaningfully call them; the mood controls.
I like to load up the S700 (a bright-sounding, hand-crafted grand piano by Yamaha).
Then, with a few twists of the notched, hexagonal knobs controlling the reverbs, delays & filters, I’m already diverted down a creative rabbit hole, changing the way I attack the notes, responding to the new sounds being produced with imagination, and taking great pleasure in the process!
These relatively basic steps are barely scratching the surface of what’s possible, but are representative of how the CK88 engages your creativity.
When building your own personal piano sound, very usefully, there are independent controls for reverb and delay, so, if you’re like me and love that classic 70s analogue delay – à la John Lennon, then it’s pretty easy to recreate faithfully and, in this case, use as a building block toward my own, signature piano voice.
So far, I’m only using a single voice of the three that are available to run simultaneously. All channels can run their own effects independently too, which opens up further creative possibilities.
A classic combination of voices is a piano & synth pad, so that was my next move.
On channel 1, I retained my Lennon-esq piano, and, on channel 2, I explore the pads in search of the perfect companion and settle for the Sine Pad. A simplistic, monotone synth sound that will compliment my piano well.
Activating and controlling the channels themselves is mercifully simple thanks to the colour-coded array of buttons on the front panel.
Channel A is yellow, channel B is blue, and channel C is green. Directly above them, for ease of use, are the channel volume mixers.
There’s always a new direction to take your sound on the Yamaha CK88. Even when you think you’ve settled on something, you’ll find a new effect or voice combination that once again engages your creativity.
If you’re an artist, you’ll understand that the creative process, by definition, is never static, and, unlike keyboards with more basic soundscapes sometimes can, the CK88 doesn’t let the creative journey go stale and always offers you a new path to take.
During my playing session, I felt like the Yamaha CK88 was continuously presenting me with a fork in the road and saying ‘You decide where we go next’.
I absolutely love how this keyboard inspires me to keep exploring, keep playing, and keep creating.
I gotta tell you, that during the prep for this blog, there were times when I could barely tear myself away from the keyboard to write anything down.
I just couldn’t help going down those creative rabbit holes!
A prime example of this is what happened to me when I added a 3rd voice layer.
Sometimes, you ‘luck out’ by finding the default 3rd voice will enhance your overall sound quite nicely. But, with such a deep selection of voices at your disposal, you’ll quickly be spinning that mood control dial and getting inspired further.
On occasion, however, happy accidents happen (just ask my parents!), and that’s all part of the fun on a keyboard like this.
And, that’s exactly what happened to me, as I explain below.
To my Lennon-esque piano & Cine Pad creation, I decided to add some orchestral strings. Simple enough, right?
But then, while playing the channel effects, sorry, ‘mood controls’, I ventured into the section called ‘Others’ and stumbled upon the ‘Slicer’ effect.
This immediately lit something inside me again by transforming the character of what I was playing and by taking it somewhere completely unanticipated.
I was instantly bright-eyed and bushy-tailed!
The Slicer effect does what the name implies, it takes your selected voice and slices it up as it’s being played, giving it a sort of staggered, punchy, delay.
It was working brilliantly in my lineup of voices so I quickly saved it into the keyboard’s memory bank (of which there is ample room for many such things).
Onwards, and onwards, I went, tweaking tones and experimenting with layers of voices as if they were flavours being mixed to create some sumptuous new recipe.
As you’ve read, and as you may have seen in my previous videos and blogs, I often compare music to painting and cooking because they share something important; they’re all highly creative disciplines.
And we musicians, much like Jamie Oliver, Hugh Fearnley-Whittingstall, Keith Floyd, Claude Monet, John Constable, or David Hockney in their fields of expertise, are at our very best when a creative fire has been lit inside us.
This is by no means a complete review of the CK88. In a single blog, it would be impossible to cover everything that the Yamaha CK88 is capable of and recite all the stats & specifications – you’ll find plenty of information online about that.
But, the thing I wanted to impress upon you most keenly is that, unlike Yamaha’s more basic keyboards, e.g. the Yamaha P-125 or P-515, the CK88 feels very aligned with my creative impulses.
So, perhaps it will suit you better too.
Metaphorically speaking, when I closed my eyes and let my mind drift, I feel the experience of playing the Yamaha CK88 is rather like pulling on bright, multi-coloured gloves over my grey hands as I play my usual, somewhat tired piano routines.
The CK88 takes the well-grooved action of my fingers on the piano keys, which I often grow bored of, and injects life into them by letting me escape my regular, and sometimes frustratingly stagnant, piano-playing repertoire, and lighting up my creativity.
For me, this might be the most profound achievement of the Yamaha CK88.
I have a naturally introverted nature. My enjoyment of music is a highly personal thing, and playing the piano, despite my job, is something I mostly prefer doing in private without anyone else listening to me.
I know there are many others out there like me. We create music for ourselves and don’t always like performing for others.
And, of course, some people are the opposite (you should meet my sister!), and some are a blend of both.
We are all individuals.
I mention this because it speaks to an important point about the Yamaha CK88:
Your CK88 will be as unique as you are.
With its rich palette of voices and effects, and the tools it gives you to craft with them, once you’ve started along the type of creative processes that I’ve described above, the sound from your CK88, and whatever musical project you’ve deployed it into, will develop, just like you, its own personality, and, if I dare to be so profound, will become a reflection of your soul.
When we step back to contemplate what it is to be an artist and how Yamaha’s CK88 facilitates it, while it may not be the highest-spec synthesizer or stage keyboard out there, what it does offer – and at the price it offers it for! – is both quite an achievement by Yamaha and superb value for money.
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